The radio version of Give In To Me by Monet
Monet’s “My Heart Gets All the Breaks” was the first record on Ligosa, catalog number LIG-501, released in 1987 with production by Mark Liggett and co-production and mixing by Tommy Uzzo. Ligosa was the same New York independent that would later first release George Lamond’s “Bad of the Heart.” Read the full Monet biography.
The 12″ version of Hungry For Your Love by Hanson & Davis Hanson & Davis Hanson & Davis were a New York‑based freestyle duo that rose to prominence in the mid‑1980s. Comprised of vocalist Aaron Hanson and producer Ed Davis, they delivered high‑energy tracks like “Tonight (Love Will Make It Right)” and “Hungry for Your…
The original 12″ version of Exposed to Love by Expose About Exposé Before there was a formula for manufactured pop groups, there was Exposé—three voices from Miami who turned a producer’s vision into one of the most successful runs in late-80s dance-pop history. Read the full Exposé biography.
The 12″ version of First True Love by Tiana About Tiana Tiana recorded for Micmac Records in the label’s later years, and “First True Love” became her signature single, a club and mix-show success in the label’s melodic house style. Read the full Tiana biography.
The official version of Because Of You by-the Cover Girls About The Cover Girls In a genre dominated by solo acts and studio creations, The Cover Girls stood out as a genuine group—three voices harmonizing over some of freestyle’s most polished productions, delivering hit after hit through the late 80s and into the 90s. Read…
The 12″ version of Remember by Fascination About Fascination Fascination recorded for Cutting Records, the New York independent behind Corina, Sa-Fire, and Giggles. “Remember” arrived in 1989 and became the act’s signature, a club and dance-radio success in the label’s classic style. Read the full Fascination biography.
The 12″ version of Arabian Knights by the Latin Rascals About Latin Rascals The Latin Rascals were Tony Moran and Albert Cabrera, the edit team whose razor-blade tape work on New York’s 98.7 KISS-FM mastermixes helped invent the sound of freestyle radio. Their rapid-fire splice edits became a genre signature, and labels hired them to…